Follk Dance In D By Thomas Schadl

Folk Dance In D is written for two pianos with four hands, and has an eastern European or Middle Eastern character which involves the use of scales not common in the western European musical tradition. The main theme is based on the octatonic scale and its main motive is A G# D E flat treated in forward and retrograde motions. Further, the main theme is treated in an imitative manner. The second theme is somewhat an octatonic scale, but involves the use of motivic inversion in its imitation sections. Second theme's main motive is C B C D Flat D Flat C E Flat D Flat C B C C.

This piece is suitable for concert use and possibly for film use, but has a strong educational use in that it explores different scales and counterpoint in many forms, including retrograde, inversions and many others. Composers such as Bela Bartok and Olivier Messiaen explore octatonic scales and other modes in their compositions, typically in Bartok's Six Volumes of Microcosmos for piano and Messiaen's L'Ascension for organ.

http://www.sheetmusicplus.com/title/folk-dance-in-d-digital-sheet-music/20332220

Fantasia And Variations In E Flat For Organ by Thomas R. Schadl

Fantasia And Variations In E Flat is a large-scale work that would take about eight to ten minutes to perform on organs with two or more manuals. The work combines both technical virtuosity and lyricism, and may be reminiscent to the organ compositions of Max Reger, with some of Messiaen's scales on limited transposition.

The piece starts with a scale that is arranged with tone and halftone alternating each other, known as the octatonic scale; that is the scale is built on eight keys within an octave. There are three themes. The motto theme is scalar in structure and is octatonic in character, giving an oriental sound effect; it appears at bars 3-4, 8-10, 22-24, and in the rhythmically augmented version at bars 148-155. The main theme from the fantasia section is derived from the motto theme; it occurs at bars 16-21 and bars 35-40. The second theme occurs in fugal form in bars 27-32, but appears at the fourth variation and is played against the main theme. The theme and its seven variations span from bars 41-147. The theme is stated in the pedal division from its beginning and at variations one, two, and three. The fourth variation consists of themes one and two, playing a duet; first theme is played with the left hand and later on the pedal; second theme is played with right hand. As we come to variations five and six, the pedal states the first theme. The fifth variation is written in the triple time and is written in quintuple time in the next variation. The final variation is stated for the hands and is hymn-like in quality, building up its intensity and majesty until the motto theme is stated finally in the pedal division.

 The performance of the piece requires a freer approach to rhythms in the fantasy segments within the fantasia; in other words, one can play at pleasure. Sections where themes one and two are stated should be played in strict time.

 When performing the theme and variations, one should pay attention to the lyrical nature of that movement, including the melody stated in the bass at variations five and six. The tempo for the final variation is broad and majestic in character and should be played in an unhurried manner. The coda at bars 147 to 155 should be played slowly and try to listen to the motto theme in augmented note values descend. This surely brings the work to a triumphant close.

 The piece is suitable for concert use and for educational purposes. Anyone who is studying the organ works of Max Reger and works of more contemporary composers may like to explore this work. I hope you shall enjoy it.

http://www.sheetmusicplus.com/title/fantasia-and-variations-in-e-flat-digital-sheet-music/20270564?ac=1&_requestid=2446759

Rhythmic Dance I by Thomas R. Schadl

Rhythmic Dance I explores rhythmic interactions between passages that are based on the motive D E flat A B flat. Rhythmic Phase-out of the main motive is evident, and is repeated; the compositional technique resembles the works of Steve Reich. The piece is suitable for concert use and for educational instructions in that it helps music students appreciate minimalist works. Further, the work may be used as a background music for films and other media.

http://www.sheetmusicplus.com/title/20242896

Rhythmic Dance II by Thomas R. Schadl

Rhythmic Dance II explores rhythmic interactions between passages that are based on the motive D E flat A B flat, but does not employ rhythmic phase-out procedures as much as used in the works of Steve Reich. Apart from being a concert piece, the work is suitable for educational purposes that focus on the minimalist composers and their works. Musicians of the minimalist category include Arvo Part, Philip Glass, Steve Reich and others. The work may also be used as a background music for films, television series and other media.

http://www.sheetmusicplus.com/title/20242898

Pleasant Memories by Thomas R. Schadl

Based on a minimalist idiom, Pleasant Memories depicts a calm atmosphere that builds up excitement before subsiding in the end. In the middle section where the excitement occurs, the main theme is stated in a stepwise manner that resembles a folk song. The piece is suited for concert use, and it is educational in that it strengthens one's appreciation for minimalist works of Steve Reich, Philip Glass and other composers. The work may also be applied as a background music for a film productions.

http://www.sheetmusicplus.com/title/20242894

Reaching Up To God by Thomas R. Schadl

This work is based on Psalm 16 where King David sings to God with joy. Written for Easter, Post-Easter and other services, as well as recital use, the piece is joyous in character and is to be performed with care to phrasings. The middle section is quieter and meditative, and it gradually builds up excitement until the end of the piece. I hope that the work shall bring joy to you and to others.

http://www.sheetmusicplus.com/title/20211708

Fantasia And Chorale In E by Thomas R. Schadl

Written in E, the work consist of two themes that have hymn-like and chorale qualities interspersed with lighthearted passages that depict the strength and weakness of human nature. The first theme resembles a melody of the ancient church; the melody has a mystical quality depicting God's majesty. The transition is light in content as it gives a listener a break from the serious mood of the first theme. The second theme is a chorale and is chordal in texture; it resembles a church hymn sung in many churches. Moreover, the second theme is written in B Flat Major, depicting one's praising God in spirit; the general mood is quiet. Following that section is the transition that gradually builds up excitement before the restatement of the first theme. The second theme is restated in E Major, but its longer note values are placed over the repeated bass and chordal patterns, a style that many composers use in their works, including Igor Stravinsky's L'Histoire Du Soldat. Once again, the lighthearted transitional passage recurs before the chimes start to strike four times. Following the chimes, the chorale is stated in E Major and begins quietly and builds up power as the work nears its ending; the chorale, unlike its first statement depicts the singing of praise with joy. This piece may be performed in concert halls and churches; it could give people fond memories of recitalists who enjoy bringing excitement to the public. 

http://www.sheetmusicplus.com/title/20199587

Reflections In E by Thomas R. Schadl

This is a quiet piece that is performed in a meditative manner and involves frequent changes in speed. Imagine yourself coming out of the rush-hour traffic or a hectic day at work and you listen to calming music at home. This music could give a time to relax and release stress from you. 

http://www.sheetmusicplus.com/title/20199607

Sonata In G For Organ by Thomas R. Schadl (Five Movements)

Written in G Minor, the first movement consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.

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The second movement is contemplative and mystical in nature. It employs the octatonic scale that consists of the alternating pattern of whole-step and half-step intervals. Composers such as Olivier Messiaen and Naji Hakim employ this scale in their compositions. The opening measures are somewhat reminiscent to Messiaen's last movement of the L'ascension where the chords are performed very slow with legato articulation. The first and the second themes are rhythmic transformations of both themes from the previous movement, making the sonata in a cyclical form. The piece requires careful phrasing of the melodic lines and appreciation of modern music. The second movement is suitable for devotional use, lenten and Easter-week seasons, and recital use. If you love to listen to Messiaen's organ works, then this piece is worth looking into. Enjoy it.

http://www.sheetmusicplus.com/title/20161572

The Scherzo explores a variety of sections that have their own character. The first section is written in a North German toccata style where the opening measures are treated in a canonic manner and played in a series of thirds and sixths against the main theme stated in the pedal division; this compositional approach is somewhat reminiscent of the organ compositions of Dietrich Buxtehude (Prelude and Fugue in G Minor BUXWV 149). The second section is contrapuntal in nature and depicts a humorous moment; that moment may depict a comedy show or a circus event at a fair. Following that section is the recurrence of the main theme of the first movement. The fourth section is quiet in sound intensity and is the most chromatically oriented than other parts. Following that is a fugue, derived from the main theme of the first movement, and a transitional passage leading back to the recurring main theme. The work concludes triumphantly in the key of G Major. The Scherzo requires attention to articulation, phrasing and timing. This work is suitable for educational and recital uses: it introduces organ students to major works of Buxtehude and Johann S. Bach and many more composers; organists of various expertise may play the work to lighten up the audience's mood after listening to more difficult organ works. Let this work bring pleasure into your hearts and the listeners'. Enjoy it. 

http://www.sheetmusicplus.com/title/20161578

This meditative piece may be suitable for recitals and for devotional use, especially for the Lenten and Good Friday services; it depicts sorrow and grief. The middle section, marked as Piu Mosso, has the recurring main theme in the first movement and is less sombre than the first section of this piece. It builds up speed and sound intensity as a relief from the dark sound of the earlier section, depicting one's longing for love and hope. After the climax has been reached, the pace and the tone colors diminish in intensity and restates the somber theme. The piece ends quietly with a B major chord. Adagio requires attention to phrasing and imaginative use of organ registration. Organ registration, stated at the beginning of this movement, is a suggestion; if the 8' stops sound a little dull, then one may use a light 4' flute stop to help bring out the melody. If you are looking for a work to play for a church service, why not take a look at it.

http://www.sheetmusicplus.com/title/20161584

The Finale starts with a fanfare passage followed by a toccata section that consists of the recurring main theme of the first movement. The toccata is written in the French late romantic style and uses the augmented triads extensively. For those of you who listen to Louis Vierne's organ symphonies and other organ works may like to explore this work. In the last few pages of this piece, the pedal and the soprano lines are treated canonically, using the cyclical theme, and slow toward the Maestoso where the fanfare makes its final statement. One might associate the opening and the closing statement of the fanfare with a biblical statement from the Book of Revelations: I Am Alpha and Omega. The composition of a work that uses cyclical themes dates back to many hundreds of years; composers such as Guillaume Machaut's Messe De Notre Dame (composed in the 14th century), Johann Sebastian Bach's Wachet Auf, Richard Wagner's Ring Cycle, and Louis Vierne's Sixth Organ Symphony employed cyclical themes to their compositions. This movement is suitable for recitals and for Easter Sunday Pageant. This work definitely brings the entire organ sonata to a triumphant conclusion. Enjoy it.

http://www.sheetmusicplus.com/title/20161589

Meditation On Reaching Out ( based on Isaiah 49: 6b) by Thomas R. Schadl

Meditation On Reaching Out was written to express God's love for humanity; that is, the spreading of God's salvation to every nation. The work starts softly and builds up sound intensity as it progresses over time, ending with a full-organ registration. As one hears the pieces, one listens to the minimalist element that gives a meditative quality, in a manner similar to the works of Steven Reich, Arvo Part, Phillip Glass and other composers. Meditation On Reaching Out may be suitable for the offertory, evening prayer service and for concert use. The work may also be used for teaching students in their first year of organ study. Enjoy the meditative and the triumphant ending of the piece. 

Isaiah 49:6b I will make you as a light for the nations, that my salvation may reach to the end of the earth.

http://www.sheetmusicplus.com/title/meditation-on-reaching-out-based-on-isaiah-49-6b-digital-sheet-music/20061199

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The Light Of The World by Thomas R. Schadl

The Light Of The World, written in the fanfare style, is a multipurpose work that can be played during Easter Sunday services, suitable for church anniversaries, church dedication or commissioning, and for concert use. The quieter but lyrical sections occur within the fanfare ones to give a variety of expression that is based on Matthew 5: 14-16. Fanfare sections depict "You are the light of the world;" and the non-fanfare parts represent the sermon on reaching out to the people.14“You are the light of the world. A town built on a hill cannot be hidden. 15 Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house. 16 In the same way, let your light shine before others, that they may see your good deeds and glorify your Father in heaven."

To view this composition,  please visit the link at http://www.sheetmusicplus.com/title/20061195.

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Fanfare On Old One Hundredth By Thomas R. Schadl

Is your church or community celebrating its anniversary? Here is a piece that is going to bring "big-time' memories, based on a famous tune. You'll enjoy it to the very end of the last note. Fanfare on The Old One Hundredth was performed in London, England in the summer of 2009, during the Annual Festival of New Organ Music event.

To listen to the Fanfare, please click on this site: http://www.youtube.com/watch?v=z1cSH5IF85k (Recording of The Old One Hundredth).

To view the piece online, please visit this site:
http://www.sheetmusicplus.com/title/19973763

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Pastorale By Thomas R. Schadl

Do you love visiting a countryside or coming to a place where the atmosphere is very peaceful? Pastorale is a quiet piece in a 6/8 time that depicts the countryside scenery. This work is suitable for concert use; it may be used in Christmas pageants and church services that celebrate the Christmas season. Let Pastorale take you there.

http://www.sheetmusicplus.com/title/19975323

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Interlude In D Major By Thomas R. Schadl

Here is a simple, meditative piece that anyone, from basic level to seasoned organists, may like to add to their repertoire. Whether you are preparing to play something for prelude, offertory, communion services and other occasions, Interlude In D awaits you. Enjoy it.

http://www.sheetmusicplus.com/title/19975325

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Gigue In Emajor By Thomas R. Schadl

Originally written as the last movement of the Baroque suite, where Allemande, Courante, and Sarabande are arranged in their respective movements, the Gigue is a lively dance piece that appears in the works of Bach, Telemann, Couperin and other composers. Written in a 6/8 time, Gigue In E Major should be performed in a spirited manner. This work is suitable for concert use as well as joyous occasions like Easter and other celebrations.

Please visit this link to view the composition.

http://www.sheetmusicplus.com/title/19975331

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Hands And Feet Adventure For Junior Organists By Thomas R. Schadl

If you are new to organ studies or you have decided to continue organ lessons after taking a certain time off from study, then take a look inside this instructional booklet. The pieces, contained in the table of contents, introduce students to music of diverse styles, ranging from simple to humorous tunes, while developing their pedal technique and hand and feet coordination.

Table of Contents For Hands and Feet Adventure by Thomas R. Schadl

Page 1 Adagio
Page 2 Andante
Page 3 Moderato
Page 4 Scherzetto
Page 5 Moderato
Page 6 A Little Joke
Page 7 Having Fun
Page 8 Reflections
Page 9 Dreamily
Page 11 Gracefully
Page 13 Gigue
Page 17 Humouresque

http://www.sheetmusicplus.com/title/19976839

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Festive Fantasia In E Major By Thomas R. Schadl

If you are looking for a fanfare piece that is little different from the conventional ones, then this work should be explored. The first part of Festive Fantasia In E Major alternates between fanfare and chordal passages, but the final part ends with a majestic chordal progression somewhat reminiscent of the Sixth Organ Symphony of Louis Vierne and early organ compositions of Olivier Messiaen.
The middle section contrasts the main theme in its character in two instances: 7/8 time signature and the triple-time rhythmic effect within the 4/4 time signature.  This piece is suitable for concert use and may be also performed in gala recitals and other occasions.

Please visit this link to view the piece. http://www.sheetmusicplus.com/title/19985993

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Fantasy On The Joyful Light By Thomas R. Schadl

Welcome to the Fantasy On The Joyful Light. This work is based on the first chapter of John that focuses on the word of light, creation of the world through the word, and kingship of the Messiah. Piece begins slowly and softly, and ends in a joyful spirit. This is piece is suitable for concert performance. If you are looking for a work that starts humbly and ends joyfully, this piece is worth looking into.

Please visit this link to view the piece. http://www.sheetmusicplus.com/title/19986027

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Sonata For Horn, Trumpet And Organ By Thomas R. Schadl

Written in two movements, slow and moderate speeds, this work consists of a dialogue between horn and trumpet with organ accompaniment. If you are looking for a piece that provides rhythmic
interest, with emphasis on imitative counterpoint and dynamic shading, then this piece, whether used for student recitals or a fundraising concert, is worth exploring.

Please visit this link to view the works. http://www.sheetmusicplus.com/title/19986148

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Prelude III For Piano by Thomas R. Schadl

If you love listening to the music of Latin America, Spain, or even the Caribbean Islands, Prelude III For Piano is the piece you won't want to miss. Written in a Hispanic style, this work stresses on rhythmic security and lyricism.

Please visit this link to the view the piece. http://www.sheetmusicplus.com/title/20000918

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