Gigue In Emajor By Thomas R. Schadl

Originally written as the last movement of the Baroque suite, where Allemande, Courante, and Sarabande are arranged in their respective movements, the Gigue is a lively dance piece that appears in the works of Bach, Telemann, Couperin and other composers. Written in a 6/8 time, Gigue In E Major should be performed in a spirited manner. This work is suitable for concert use as well as joyous occasions like Easter and other celebrations.

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Hands And Feet Adventure For Junior Organists By Thomas R. Schadl

If you are new to organ studies or you have decided to continue organ lessons after taking a certain time off from study, then take a look inside this instructional booklet. The pieces, contained in the table of contents, introduce students to music of diverse styles, ranging from simple to humorous tunes, while developing their pedal technique and hand and feet coordination.

Table of Contents For Hands and Feet Adventure by Thomas R. Schadl

Page 1 Adagio
Page 2 Andante
Page 3 Moderato
Page 4 Scherzetto
Page 5 Moderato
Page 6 A Little Joke
Page 7 Having Fun
Page 8 Reflections
Page 9 Dreamily
Page 11 Gracefully
Page 13 Gigue
Page 17 Humouresque

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Festive Fantasia In E Major By Thomas R. Schadl

If you are looking for a fanfare piece that is little different from the conventional ones, then this work should be explored. The first part of Festive Fantasia In E Major alternates between fanfare and chordal passages, but the final part ends with a majestic chordal progression somewhat reminiscent of the Sixth Organ Symphony of Louis Vierne and early organ compositions of Olivier Messiaen.
The middle section contrasts the main theme in its character in two instances: 7/8 time signature and the triple-time rhythmic effect within the 4/4 time signature.  This piece is suitable for concert use and may be also performed in gala recitals and other occasions.

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Fantasy On The Joyful Light By Thomas R. Schadl

Welcome to the Fantasy On The Joyful Light. This work is based on the first chapter of John that focuses on the word of light, creation of the world through the word, and kingship of the Messiah. Piece begins slowly and softly, and ends in a joyful spirit. This is piece is suitable for concert performance. If you are looking for a work that starts humbly and ends joyfully, this piece is worth looking into.

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Sonata For Horn, Trumpet And Organ By Thomas R. Schadl

Written in two movements, slow and moderate speeds, this work consists of a dialogue between horn and trumpet with organ accompaniment. If you are looking for a piece that provides rhythmic
interest, with emphasis on imitative counterpoint and dynamic shading, then this piece, whether used for student recitals or a fundraising concert, is worth exploring.

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Prelude III For Piano by Thomas R. Schadl

If you love listening to the music of Latin America, Spain, or even the Caribbean Islands, Prelude III For Piano is the piece you won't want to miss. Written in a Hispanic style, this work stresses on rhythmic security and lyricism.

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Prelude II For Piano by Thomas R. Schadl

Welcome to Prelude II For Piano. This lyrical work is quiet and meditative in mood, where the melody in the soprano line stands out against the chords of the inner voices. Harmonic pedaling is encouraged not only to maintain a legato effect but to enrich the harmonies, creating a dreamlike atmosphere. If you are winding down after a busy afternoon or finding a place to relax, then let Prelude II take you there.

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Prelude I For Piano by Thomas R. Schadl

Suitable for recital and education use, Prelude I For Piano is a meditative piece that is lyrical and is somewhat reminiscent to Johann Sebastian Bach's first volume of the Well-Tempered Clavier.
The performance of Prelude I For Piano requires attention to finger dexterity and harmonic pedaling. Performing arpeggios in some parts of the piece is encouraged.

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Festive Fantasia In D Major by Thomas R. Schadl

If you are looking for an organ piece that is going to bring joy into your heart, then welcome to The Festive Fantasia In D Major. The piece starts with a toccata-like passage that is interspersed with fanfare sections. The middle part of the work is lyrical in nature and is played at a slower speed. Festive Fantasia In D Major embraces both lyricism and rhythmic vitality that will "ring out" to everyone, whether in concert halls, churches and other venues.You shall love this work.

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